As with the three-dimensional technique, use two-dimensional reconstruction when unidentified skeletal remains are found. The two-dimensional reconstruction process begins by utilizing the same data as used for the Three-dimensional clay reconstruction. The process begins by gluing on the proper tissue markers in the proper designated locations. Place the skull on a stand in the Frankfort Horizontal position. Photograph the skull in profile and frontal views, at a 1:1 scale, with a ruler, positioned aside of the skull. The photos then enlarged to life-size dimension. Tape the frontal and profile photo in the Frankfort Horizontal position parallel to one another on two separate flat wood boards. Upon completion of the above process, tape transparent natural vellum sheets over the printed photographs. Sketching begins, where the artist follows the contours of the skull, along with using the tissue markers as guidelines. Measurements for the mouth, nose, and eyes, is the same for the Two-dimensional process as it is with the Three-dimensional process. Hair type and style determined by samples found on the scene by investigators, or by estimation determined by the victim’s race, gender, and/or ethnic background. Information provided by Forensic anthropologists and other professionals. Document all procedures and notes collected. The benefits of this method over the clay reconstruction are cost, and the time it takes to complete the reconstruction.
Another method of Two-dimensional identification is that of reconstructing a face from a decomposing body. Utilizing the artist’s knowledge of the face, how the soft tissue lies on the skull, and general knowledge of how the human body reacts to decomposition, the artist make educated estimations on how an individual appeared prior to death. All methods of facial reconstruction allow the investigators, and the media, the opportunity to put a face with the victim, and a chance of a quick identification – saving man-hours, and allowing the victim’s family to put the element of the unknown to rest.